Authors: Jonathan Lopez.
Hardcover, 352 pages
Publisher: Houghton Mifflin Harcourt
Publication Date: 2008-08-15
Edition: 1

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It's a story that made Dutch painter Han van Meegeren famous worldwide when it broke at the end of World War II: a lifetime of disappointment drove him to forge Vermeers, one of which he sold to Hermann Goering, making a mockery of the Nazis. And it's a story that's been believed ever since. Too bad it just isn't true.

Jonathan Lopez has done what no other writer could--tracking down primary sources in four countries and five languages to tell for the first time the real story of the world's most famous forger. Neither unappreciated artist nor antifascist hero, Van Meegeren emerges in The Man Who Made Vermeers as an ingenious, dyed-in-the-wool crook--a talented Mr. Ripley armed with a paintbrush, who worked virtually his entire adult life making and selling fake Old Masters. Drawing upon extensive interviews with descendents of Van Meegeren's partners in crime, Lopez also explores the networks of illicit commerce that operated across Europe between the wars. Not only was Van Meegeren a key player in that high-stakes game during the 1920s, landing fakes with powerful dealers and famous collectors such as Andrew Mellon (including two pseudo-Vermeers that Mellon donated to the National Gallery of Art in Washington, D.C.), but the forger and his associates later offered a case study in wartime opportunism as they cashed in on the Nazi occupation.

The Man Who Made Vermeers is a long-overdue unvarnishing of Van Meegeren's legend and a deliciously detailed story of deceit in the art world....

Authors: Calvin Tomkins.
Hardcover, 272 pages
Publisher: Henry Holt and Co.
Publication Date: 2008-10-28


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Authors: Nicholas Fox Weber.
Hardcover, 848 pages
Publisher: Knopf
Publication Date: 2008-11-11


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From acclaimed biographer and cultural historian, author of Balthus and Patron Saints—the first full-scale life of le Corbusier, one of the most influential, admired, and maligned architects of the twentieth century, heralded is a prophet in his lifetime, revered as a god after his death.

He was a leader of the modernist movement that sought to create better living conditions and a better society through housing concepts. He predicted the city of the future with its large, white apartment buildings in parklike settings—a move away from the turn-of-the-century industrial city, which he saw as too fussy and suffocating and believed should be torn down, including most of Paris. Irascible and caustic, tender and enthusiastic, more than a mercurial innovator, Le Corbusier was considered to be the very conscience of modern architecture.

In this first biography of the man, Nicholas Fox Weber writes about Le Corbusier the precise, mathematical, practical-minded artist whose idealism—vibrant, poetic, imaginative; discipline; and sensualism were reflected in his iconic designs and pioneering theories of architecture and urban planning.

Weber writes about Le Corbusier’s training; his coming to live and work in Paris; the ties he formed with Nehru . . . Brassaï . . . Malraux (he championed Le Corbusier’s work and commissioned a major new museum for art to be built on the outskirts of Paris) . . . Einstein . . . Matisse . . . the Steins . . . Picasso . . . Walter Gropius, and others.

We see how Le Corbusier, who appreciated goverments only for the possibility of obtaining architectural commissions, was drawn to the new Soviet Union and extolled the merits of communism (he never joined the party); and in 1928, as the possible architect of a major new building, went to Moscow, where he was hailed by Trotsky and was received at the Kremlin. Le Corbusier praised the ideas of Mussolini and worked for two years under the Vichy government, hoping to oversee new construction and urbanism throughout France. Le Corbusier believed that Hitler and Vichy rule would bring about “a marvelous transformation of society,” then renounced the doomed regime and went to work for Charles de Gaulle and his provisional government.

Weber writes about Le Corbusier’s fraught relationships with women (he remained celibate until the age of twenty-four and then often went to prostitutes); about his twenty-seven-year-long marriage to a woman who had no interest in architecture and forbade it being discussed at the dinner table; about his numerous love affairs during his marriage, including his shipboard romance with the twenty-three-year-old Josephine Baker, already a legend in Paris, whom he saw as a “pure and guileless soul.” She saw him as “irresistibly funny.” “What a shame you’re an architect!” she wrote. “You’d have made such a good partner!”

A brilliant revelation of this single-minded, elusive genius, of his extraordinary achivements and the age in which he lived.

...

Authors: Jackie Wullschlager.
Hardcover, 608 pages
Publisher: Knopf
Publication Date: 2008-10-21
Edition: 1

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“When Matisse dies,” Pablo Picasso remarked in the 1950s, “Chagall will be the only painter left who understands what color really is.” As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known and most-loved paintings of our time. Yet behind this triumph lay struggle, heartbreak, bitterness, frustration, lost love, exile—and above all the miracle of survival.

Born into near poverty in Russia in 1887, the son of a Jewish herring merchant, Chagall fled the repressive “potato-colored” tsarist empire in 1911 for Paris. There he worked alongside Modigliani and Léger in the tumbledown tenement called La Ruche, where “one either died or came out famous.” But turmoil lay ahead—war and revolution; a period as an improbable artistic commissar in the young Soviet Union; a difficult existence in Weimar Germany, occupied France, and eventually the United States. Throughout, as Jackie Wullschlager makes plain in this groundbreaking biography, he never ceased giving form on canvas to his dreams, longings, and memories.

His subject, more often than not, was the shtetl life of his childhood, the wooden huts and synagogues, the goatherds, rabbis, and violinists—the whole lost world of Eastern European Jewry. Wullschlager brilliantly describes this world and evokes the characters who peopled it: Chagall’s passionate, energetic mother, Feiga-Ita; his eccentric fellow painter and teacher Bakst; his clever, intense first wife, Bella; their glamorous daughter, Ida; his tough-minded final companion and wife, Vava; and the colorful, tragic array of artist, actor, and writer friends who perished under the Stalinist regime.

Wullschlager explores in detail Chagall’s complex relationship with Russia and makes clear the Russian dimension he brought to Western modernism. She shows how, as André Breton put it, “under his sole impulse, metaphor made its triumphal entry into modern painting,” and helped shape the new surrealist movement. As art critic of the Financial Times, she provides a breadth of knowledge on Chagall’s work, and at the same time as an experienced biographer she brings Chagall the man fully to life—ambitious, charming, suspicious, funny, contradictory, dependent, but above all obsessively determined to produce art of singular beauty and emotional depth.

Drawing upon hitherto unseen archival material, including numerous letters from the family collection in Paris, and illustrated with nearly two hundred paintings, drawings, and photographs, Chagall is a landmark biography to rank with Hilary Spurling’s Matisse and John Richardson’s Picasso.

...

Authors: David Michaelis.
Paperback, 704 pages
Publisher: Harper Perennial
Publication Date: 2008-10-01
Edition: Reprint

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Charles M. Schulz, the most widely syndicated and beloved cartoonist of all time, is also one of the least understood figures in American culture. Now, acclaimed biographer David Michaelis gives us the first full-length biography of the brilliant, unseen man behind Peanuts: at once a creation story, a portrait of a native genius, and a chronicle contrasting the private man with the central role he played in shaping the national imagination. Schulz and Peanuts is the definitive epic biography of an American icon and the unforgettable characters he created.

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    Amazon Significant Seven, October 2007: There's no book this year that made people's eyes light up when I told them about it more than Schulz and Peanuts, David Michaelis's new biography of cartoonist Charles Schulz. (And when they saw the obvious-but-brilliant Chip Kidd-designed cover, their eyes got even brighter.) Everyone, it seems, feels a personal connection to Peanuts (a name, by the way, that Schulz always hated), but few have a sense of the artist whose small troupe of big-headed characters still lives at the center of our imagination. If some mystery about the man still remains after reading Michaelis's sharp, engaging, and level-headed biography that's no fault of the biographer--in fact, it's to his credit. Michaelis parses Schulz's particular combination of Midwestern reserve and steely determination and the strip's still-surprising balance of exuberance and misery, and he reminds us what a colossal cultural force it became, especially in the 1960s. But even as he ingeniously finds sources for Schulz's four-panel vignettes in the events of his biography, he recognizes that the true, sometimes inexplicable drama of his life took place when he sat down every day for 50 years to trace Linus's wobbly strands of hair, fill in Snoopy's black nose, and, time and again, letter the words "Good grief." --Tom Nissley...

Authors: Irving Stone.
Paperback, 784 pages
Publisher: NAL Trade
Publication Date: 2004-09-07


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    Celebrating the 500th anniversary of Michelangelo's David, New American Library releases a special edition of Irving Stone's classic biographical novel-in which both the artist and the man are brought to life in full. A masterpiece in its own right, this novel offers a compelling portrait of Michelangelo's dangerous, impassioned loves, and the God-driven fury from which he wrested the greatest art the world has ever known....

Authors: Edmonde Charles-Roux.
Hardcover, 384 pages
Publisher: Vendome Press
Publication Date: 2005-03-09


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    Gabrielle "Coco" Chanel (1883-1971) is a fashion icon unlike any other. She invented modern clothing for women: at the height of the Belle Époque, she stripped women of their corsets and feathers, bobbed their hair, put them in bathing suits, and sent them out to get tanned in the sun. She introduced slacks, costume jewelry, and the exquisitely comfortable suit. She made the first couture perfume-No. 5-which remains the most popular scent ever created.

In this beautiful volume, the glorious life of the incomparable Coco Chanel shines again through hundreds of illustrations and the lively prose of Edmonde Charles-Roux, her official biographer and close friend. Chanel knew and collaborated with the likes of Picasso, Diaghilev, Stravinsky, Cocteau, Jean Renoir, and Visconti-even as she matched their modernist innovations by liberating women from the prison of 19th-century fashion and introducing a whole new concept of elegance. The staggering collection of photographs amassed by the over decades of friendship with Chanel sheds new light on one of the great stories of the modern age. AUTHOR BIO: Edmonde Charles-Roux began her journalistic career at Elle and ultimately became editor-in-chief of French Vogue. She has published three novels, among them To Forget Palermo (Oublier Palerme), which won the Prix Goncourt in 1966....

Authors: William R. Drennan.
Paperback, 232 pages
Publisher: University of Wisconsin Press
Publication Date: 2008-08-21
Edition: 1

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Authors: Mark Evanier.
Hardcover, 224 pages
Publisher: Abrams
Publication Date: 2008-02-22
Edition: 1

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Authors: Leonardo da Vinci.
Hardcover, 352 pages
Publisher: Black Dog & Leventhal Publishers
Publication Date: 2005-08-01


Reviews :

    Leonardo da Vinci (1452-1519) possessed arguably the greatest mind the world has ever known. Artist, draftsman, inventor, and philosopher, his contributions to modern society are profound and wide-reaching. Throughout his life, Leonardo kept dozens of notebooks, elegant studies on topics ranging from architecture to botany to philosophy—indeed nearly anything of which the human imagination could conceive.

Leonardo’s Notebooks collects a variety of the most fascinating of these studies and compiles them into one monumental volume that demystifies his insights and clearly illustrates his ideas, experiments, and observations with hundreds of his original sketches, line drawings, and paintings. Topics include Anatomy and the Movement of the Human Figure; Botany and Landscape; Engineering and Military Engineering; Physical Sciences; Aerodynamics and Flight; Geography—and more....